'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

A winter defined by feast or famine, shattered snowfall records and endless droughts, tidal waves, floods, and for many, a season that simply would not end. In a time where technology and the energy of our planet are accelerating off the charts and Mother Nature's confusion can no longer be explained away by experts. The Kootenay, Purcell, Selkirk, Monashee, Pacific Coast, Cascade, Wasatch, Uinta, Cache, Gros Ventre, Strandafjellet and Kaçkar mountain ranges were on the winning end of the spectrum, and you might guess where the Absinthe crew spent their winter. Twelve riders having a blast, redefining the limits of what is possible. Absinthe brings you the next wintry shred classic: Twel2ve.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
'Young Royals' is a great example of positive gay representation in its two main protagonists, but the supporting characters are often frustratingly selfish.
Dracula evolved from a person to a monster and then from a monster to a person.
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This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.