Why Pit 'Alien' Against 'Aliens' When Ripley is Great in Both?
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.

The rootless, misfit artist Bengt Hallberg escapes from a mental hospital. The head doctor believes him to be a hopeless case and dangerous for the environment. Bengt looks up Inga Larsson, the only person that matters to him.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents