‘Malcolm & Marie’ Review: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

The story takes place in an unspecified town in Apulia. We are in the '70s. The arrival of three beautiful and uninhibited girls from the North, the daughters of an engineer who has moved to run a factory, brings the turmoil amongst the young people of the town. Stories of love, betrayals, state money (stolen) and broken promises intertwine. All through the eyes of Carlo (alter ego of the director Sergio Rubini), the youngest.
Sam Levinson's latest film can't keep up with the excellence of its performances.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
A direct fall into the white savior narrative
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.