Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Tutti a casa” is the real story of Maria Silvia Spolato, a university math teacher, activist, and lesbian in the 70s.She was photographed in a feminist demonstration with the "homosexual liberation" sign. She was fired and disowned by her family. She lived homeless for 40 years without ever asking anyone for anything, except sometimes a book to read.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.