Wayward Really Is Worth All The Hype
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.

After a catastrophic tsunami in 2004, many lives were changed forever. This movie portrays a heart-warming story of two such families, and the story revolves around a 2-year-old child believed to be washed away by the floods. 10 years later, the Tamil family learns about a 12-year-old Sinhalese girl who can understand Tamil and remembers incidents from her previous life. Soon they recognize the girl by a birthmark on her face. The young girl now has to choose between her biological family and the family she grew up with.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.