Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

The story of some young people who grew up in a working-class area in Zurich in the late 1950s. The plain living style of their educators is not on their wavelength. They find the occurrences in the newly opened Jazz club much more tempting. Down there is what must not be up there: spontaneous lust for life. Jazz electrifies them all. And then there are the girls ...
Not every silence is empty. Some are filled with things too heavy for words.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.