Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Trying poster

Trying (2024)

Down on her luck after an exhaustive job search, Luna returns to the home of her childhood friend following another failed interview. They commiserate over wine, working to re-establish their relationship as young adults navigating São Paulo, Brazil.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Down on her luck after an exhaustive job search, Luna returns to the home of her childhood friend following another failed interview. They commiserate over wine, working to re-establish their relationship as young adults navigating São Paulo, Brazil.

Rating:
Genre:Drama
Directed By:Julia Conatti
Written By:
In Theaters:10/17/2024
Box Office:

Runtime:16 minutes
Studio:

Articles You May Like


The Shrew Has Been Tamed in The Devil Wears Prada 2 (2026)

My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.

Simina Munteanu

"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger