A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Sisters Mia and Emma discover and hunt down a unicorn with magical blood and want to protect it.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
This reboot of The Wonder Years is told from the lens of a Black man.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
