Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The trilogy picks right up where True 2 left us. Gena's awakes to find that her mysterious savior is Quadir. Before happily ever after, Gena has 72 hours to go back to Philly to check on Bria and Gah Git and let them know of her plans.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
Christopher Nolan transforms Homer's ancient epic into one of the most breathtaking cinematic spectacles of his career. While its nonlinear storytelling and exposition occasionally hold it back, The Odyssey is a visually stunning, emotionally resonant blockbuster that demands to be seen on the biggest screen possible.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.