
Off the coast of Montpellier, a diver exploring a wreck uncovers a highly sought-after treasure: a golden statuette of Medusa, the monster from Greek mythology. The day after his discovery, the young man's boat is found adrift, with no one on board. Has the curse surrounding the legendary statue struck again? Or is a rival treasure hunter behind the diver's disappearance? - It's up to Police Captain Guillaume Le Guen of Montpellier's regional crime squad and his brother, Gendarmerie Captain Damien Le Guen, to solve the mystery. There's no time to waste and they'll need all their investigative skills, particularly because the victim is none other than Thibault Gagneur, Guillaume's son-in-law, whose daughter Emilie is expecting his grandchild.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Have a Good Trip offers a rather balanced look at psychedelic use. While its main narrative is the stories of recreational use by celebrities, it does delve into the medical history of psychedelics and its use in psychotherapy.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.