Follow an experienced Black stage actress through rehearsals of a major Broadway production in Alice Childress’s funny, moving, and ultimately shattering look at racism, identity, and ego in the high-stakes world of New York theatre. A scathing indictment of racism in American commercial theatre, Trouble in Mind tells the story of Wiletta Mayer, a Black actress cast in a supposedly “progressive” play about racism by a white male author—it turns out to be anything but progressive.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
