Gods of Mexico, an Artistic Triumph that Eschews Narrative
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

When Max goes out looking for troll’s footsteps, he climbs the fence of luxury hotel Dikkersdorp. Caught by a security guard who mistakenly holds him responsible of a theft orchestrated by the mysterious Pie, Max is in trouble. Luckily, his new neighbor Sellie sets him free and, together, they meet with Trollie. Unfortunately, Sellie’s father hears about the troll and goes out of his way to expose the creature to the public. But Trollie is very miserable being put in display and Max stages his escape to reunite his troll friend with his family in the land of Ekeby.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.