“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

What are the limits of free speech? Troll Storm is the story of a Jewish woman in Montana, Tanya Gersh, who was the victim of an unrelenting social media campaign of antisemitism and her decision to fight back in court. “The second I decided to fight, I started to heal,” she says in this powerful film. And although the crux of this story takes place several years ago, the new swarm of antisemitism currently crossing our country makes this story feel extremely relevant. Gersh uses interviews with a holocaust survivor as a brutal reminder of where we could end up again if this culture of hate is not faced by our country. In Accept the Call (WFF 2019) director Eunice Lau’s latest film, the parallel between Europe before the rise of the Nazi party and what happened to Gersh is frightening. – Sabina Barach
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.