Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Following "Dépendance affective" (Emotional Dependency), Tristan Lopin is back with a second show, intended to be both more intimate and personal, but also—and above all—more socially engaged. Proof of this: in "Irréprochable" (Impeccable), Tristan, influenced by "the people who live in my head," ventures to talk about feminism, the climate, and other subjects as divisive as they are "important," such as Loana's career, or even people who wear Birkenstocks. The 35-year-old comedian also tackles serious subjects in this one-man show.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
While not everyone may relate to the circumstances Danielle finds herself in in 'Shiva Baby', some are sure to understand her struggles as she is scrutinized for being a woman, a college student, an LGBT person, and a sugar baby.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.