Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Set in the 1990s, Tricky begins in a London animation studio run by a husband-and-wife team famous for creating beloved cereal mascots. Their world crumbles when new regulations ban sugary ads targeted at children, effectively cancelling their entire industry overnight. The husband flees to America, leaving behind his wife and their daughter, Maya. Decades later, Maya’s 12-year-old daughter, Charli, discovers a VHS tape of the old commercials. Hoping to connect with the grandfather she’s never met, she uploads digitized clips to TikTok using AI tools. But the experiment goes horribly wrong: her viral videos open a portal between worlds, unleashing the once-cute mascots, now twisted, AI-enhanced monstrosities, into the real world.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
"Spider-Man: No Way Home" isn’t just a movie; it’s an experience. It's one of the best superhero movies thanks to the amazing writing, the fantastic performances from the actors, and a healthy helping of fan service.
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.