Trade company employee Shinichi recommends to Naoko and Jiro to go to a beautiful place abroad. There, Naoko and Jiro meets tribal shaman and sees through her tricks. The shaman has refused to leave her place.
Yukihiko Tsutsumi
Director
Yukie Nakama
Naoko Yamada
Hiroshi Abe
Jiro Ueda
Noriyuki Higashiyama
Shinichi Kagami
Katsuhisa Namase
Kenzo Yabe
Yoko Nogiwa
Satomi Yamada
Kazuki Kitamura
Masashi Tanioka
Kiko Mizuhara
Shaman
Ikuji Nakamura
Harumichi Kawashima
Kenjirou Ishimaru
Yuichi Arita
Tetsuhiro Ikeda
Harando Akiba
Kotaro Yoshida
Branch Manager Yamamoto
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
SPOILERS AHEAD. Premature is a story about the pain of love and realities. Transitioning from youth to our perspective of adulthood, how do we grapple with loss?
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.