Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Successful illustrator Daniele Mallarico travels to Naples to look after his four-year-old grand-son while his daughter is away for a few days. What begins as a simple babysitting job turns into a subtle psychological duel, as the child’s boundless imagination slowly unsettles him. Trapped together in the apartment, Daniele is forced to confront something far more disturbing than a mischievous child: the fear of aging and the loss of creativity. Through this strange encounter, he may rediscover the power of imagination he thought he had lost.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?
The Noel Diary is about a man who unlocks an old diary containing secrets of the past.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.