
The Molotovs kick things off in style with “Rebel Rebel,” followed by magical covers of “Heroes” (The Horrors), ‘Fascination’ (La Roux), “Let's Dance” (Jeanne Added), “Rock'n'Roll Suicide” (The Libertines), “Sound and Vision” (Anna Calvi), “Starman” (The Divine Comedy), and “The Man Who Sold the World” (Yasmine Hamdan): eight intense reinterpretations of David Bowie's work, delivered during an arty and decidedly London-esque stroll, which, from stage to studio, recreates the fragile intensity of a live performance.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
"Rodgers' & Hammerstein's Cinderella" wasn’t just a fairytale, it's a Black girl's fairytale. It was a fantasy world where the undeniable beauty of Black girls and Women was celebrated and beloved.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
What makes The Matrix saga fascinating is the symbolism of caves and trans allegories