No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

An old man in need of medical care is referred to an unofficial medical center in the outskirts of the city by a shady nurse. In the hopes of getting what he needs, the man ends up in the hands of a corrupt and sinister medical association of doctors who engage in organ trafficking in their spare time.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Based on Bethany's autobiography "Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board," this heartwarming film tracks the struggle to pursue normalcy and ambition after a major injury.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.