What Kind of Movies Will Come from the Current Anti-Racism Movement?
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.

Owen and Isabel's love story simmers with spiteful rage and unfortunately for everyone, Isabel is pregnant with Owen's child. To prove to her that he can become a stable father, Owen agrees to reconnect with his only living relatives at Isabel's request. The couple take a trip to visit his perversely devoted grandmother and his sister Pearl, who was severely burned in a fire, to finally bury the hatchet. But sometimes the ties that bind can cut off all circulation.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch