Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Trap: Adulterous Woman poster

Trap: Adulterous Woman 

Seung-hee lost her parents when she was young and is raised by Joon-seok's father. Years pass and Joon-seok and Seung-hee get married and become a couple. Realizing that he married out of familiarity, Joon-seok meets a new woman. Seung-hee knows that Joon-seok is cheating on her, but she doesn't want to see Joon-seok and her lover happy with each other, so she persists. Seung-hee, who was somber, became acquainted with a photographer she met by chance. The two spend happy days, and Seung-hee decides to divorce him.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Seung-hee lost her parents when she was young and is raised by Joon-seok's father. Years pass and Joon-seok and Seung-hee get married and become a couple. Realizing that he married out of familiarity, Joon-seok meets a new woman. Seung-hee knows that Joon-seok is cheating on her, but she doesn't want to see Joon-seok and her lover happy with each other, so she persists. Seung-hee, who was somber, became acquainted with a photographer she met by chance. The two spend happy days, and Seung-hee decides to divorce him.

Rating:
Genre:Drama, Romance
Directed By:김공수
Written By:
In Theaters:
Box Office:

Runtime:

Studio:

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger