Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

“Exiles, refugees, undocumented migrants – whatever word we use to talk about it, the movement of human beings across the planet is a millennia-old and repetitive story, following the formations of our civilizations, their catastrophes and sometimes their downfalls.” By exploring the idea of the traces left by the movement of peoples since millennia, and immersing herself in the current context, Bani Khoshnoudi proposes a new film questioning the ethics of society in the face of the movement of human beings. In parallel with this film, she invited Italian dancer Valentina Campora to probe on stage the gestures and movements of the body (despised, misunderstood, politicized) in transit.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.
The trainwreck is hot but tame.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.