Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

This special cinema experience takes audiences back to the very beginning as the original voice actors team up for the first time in decades to revisit their characters and recreate the enduring magic of The Transformers. An exclusive behind-the-scenes table read appears on a split screen with the pilot episode, More Than Meets the Eye, Part 1, followed by the next three episodes in the first series. Experience the original Saturday morning cartoon for the first time on the big screen and relive its evolution over the years with a sneak peek of the new season of Transformers EarthSpark.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
When long-time couple Jenny and Nate break up so Jenny can pursue her journalism career, Jenny leans on her two best friends for one last epic night in the city.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.