Montreal, June 2025: Clémence, a young emerging musical artist, discovers the existence of her twin brother Simon, separated from her at birth. Eager to help her brother financially, Clémence naively falls for an online scam. The film explores the themes of family resilience and fraternal solidarity, while following the journey of Clémence, who is desperately trying to break in the music industry.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
Although bogged down by a slow pace and moralistic intent, ‘Deadly Garage Sale’ (2022) makes the most of its silly and nonsensical premise.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
