A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

Majorie loves the ocean, but has never actually seen it. In regular therapy sessions she tries to overcome her fear of trains. When she buys a goldfish that seems to share her longing for the ocean, she slowly starts to face her past. But is her connection to the fish strong enough to go on a train and take him as his last journey to the ocean?
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Fjord, like its story, is not a conclusion, but a beginning.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.