'My Adventures with Superman' Premiere Review.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

From Prague to Cape Town in a Trabant. Two cylinders, two strokes, two Trabants, 20,000 kilometers. Through deserts, mountains, sand, and mud. Trabant Across Africa is a film about a journey. A journey worth taking, even if you keep telling yourself never again, and if you do, then not in a Trabant. A film about what it means to travel across the Dark Continent in the footsteps of the forgotten predecessors Hanzelka and Zikmund in one of the most primitive cars ever made. No embellishments, no script, no accompanying crew in Land Rovers. No certainty that we will make it. Eleven African countries: Tunisia, Libya, Egypt, Sudan, Ethiopia, Kenya, Tanzania, Zambia, Botswana, Namibia, and South Africa. Africa swallowed us up, chewed us up, and spat us out. Stunned, exhausted, determined to return.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.