‘The Devil All The Time’ is Gritty and Bleak
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.

“How are you, little sister? Come here so I can give you a hug.” These are the opening lines of Toune d'automne, a song by Les Cowboys Fringants, a famous Quebec folk band. But since 2020, Toune d'automne has also been the name of a route opened by Didier Berthod and Nicole Berthod on the legendary summit of Petit Clocher du Portalet. Although the first few meters were climbed in 2020, the route was not completed until the fall of 2024. In the meantime, Nicole had to face a terrible ordeal in her life: breast cancer. Didier could have finished the project alone. Instead, he chose to wait until his “little sister” had regained her strength so that they could finish the project together and finally “embrace” each other at the summit of Petit Clocher du Portalet.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.