
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.