"Carol": A Gorgeous LGBTQ+ Romance
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.

In 1946, one year after World War II, Tetsuko leaves her mother in Aomori and moves to Tokyo alone to discover her purpose. Enrolling at Koran Girls' School, her loud and impulsive nature intensifies. She becomes captivated by the world of cinema, frequently breaking school rules to sneak into theaters and watch movies on her way home. As she explores her independence, her family life begins to rebuild. Her new home in Tokyo is completed, allowing her mother to rejoin her. Additionally, her father, who was rumored to be interned in Siberia, is confirmed safe and will soon return. While Tetsuko is overjoyed about the upcoming family reunion, she faces a pivotal moment where she must finally decide on her future path.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.