Beniamino and his family have lived inside a school since the end of the war. After five years they have to move, but in Rome it's not easy to find an apartment.
Steno, Mario Monicelli
Director
Totò
Beniamino Lomacchio
Alda Mangini
Amalia, la moglie de Lomacchio
Lia Molfesi
Aida, la figlia
Mario Castellani
Truffatore
Aroldo Tieri
Checchino
Folco Lulli
ambasciatore turco
Enzo Biliotti
sindaco
Giacomo Furia
Pasquale Saluto
Marisa Merlini
patronessa
Luigi Pavese
capufficio
Cesare Polacco
vice custode
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Movies also have the ability to make the audience think deeper about an issue that plagues society. "Blindspotting" does that without shying away from the intense reality of police brutality and racial discrimination.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
Dracula evolved from a person to a monster and then from a monster to a person.