'Kizazi Moto: Generation Fire' - Mhkuzi: The Spirit Racer
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.

Six months after the events in Madrid, at the request of Thiago (Thiago Monte), Roxas goes to Torremolinos for his nomination for the Grabby's Awards with his agent (John Brachalli) and his faithful assistant (Jericob), hosted by Nicholas (Nicholas Bardem). Everything goes wrong when John and Dmitry discover that Bony has sent his team (Nils and Jonhy Fit) pretending to be go-go dancers, determined to ruin Roxas' appointment and take revenge on him by turning his arrival into a nightmare. Roxas instead has a great night. After Barcelona, Mon Amour, and De Madrid l'Enfer, find the third and last part of Roxas' adventures through five scenes of very hot pure sex with an orgy of seven actors for the juicy grand finale in Torremolinos 4 Ever.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.