Ant-Man: A 2015 Marvel Comics Film
Ant-Man is a 2015 live action film based on the Marvel Comics characters of the same comics series, including Scott Lang and Hank Pym, along with others.

The Great Nordic War was in full swing, and the Danes and Norwegians had heard with increasing wonder and excitement about a series of victorious and daring feats practiced by a young frigate commander, Captain Lieutenant Peter Wessel. In the film, we meet the handsome naval hero as he sails home to Copenhagen with the frigate "Løvendal's Galley", which is heavily molested after fierce skirmishes with the enemy.
Ant-Man is a 2015 live action film based on the Marvel Comics characters of the same comics series, including Scott Lang and Hank Pym, along with others.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?