Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The film accompanies Ben Bar Shavit (son of Shlomo Bar Shavit whose mother was the granddaughter of Baal Hashem) in his journey to get to know the character of Rabbi Eliashiv after his death.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
This animated movie is based on the migration of birds from the north to the south.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Sonic is a pretty generic buddy comedy with a light dusting of eccentricity.