'Chip 'N Dale: Rescue Rangers' Makes a Comeback
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.

Love and passion, anger and heartbreak, laughter and happiness, all complex textures woven into the fabric so many have come to know as marriage. For behind the seemingly comfortable well-trimmed hedges of suburban Americana, live and often love, Richard and Joan Maple. Adapted from a series of stories appearing in the New Yorker Magazine over a period of twenty three years by Pulitzer Prize winning author John Updike ("The Witches of Eastwick", "Rabbit Run"), "Too Far To Go" garnered overwhelming critical praise in its theatrical debut. With its exceptional cast, this film envelops us in a poignant, sometimes funny, sometimes exasperating journey through this most important relationship.
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.