Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

When guys tell you that size doesn’t matter, you can fucking rest assured that it does. Big time! And no more so than in the world of gay porn, where the simple fact remains that good looks and a big cock will take you a long, long way. As black Brit, Marcus Campbell, discovers when he takes a trip to Prague and finds himself as the stud that every self-respecting honky wants to ride! Connor Rex, Martin Rivers and Lucas Drake provide the sweet ass; whilst mega-hung Adam Webb rallies local support to prove that even white guys can be too big to fail!
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.