Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

Starting from the main spire of the Duomo, right under the Madonnina, Alberto crosses the city at night, discovering the more or less hidden treasures of the Lombard capital: from the stage of the Teatro alla Scala to the basilica of S. Ambrogio, from the Brera art gallery to the library Ambrosiana, custodian of Leonardo's priceless Atlantic Codex. A journey into art that takes the viewer to the presence of Vinci's Last Supper but also among the "Seven Heavenly Palaces", the gigantic installation by Anselm Kiefer kept in the Pirelli Hangar Bicocca, or among the futurists of the Museo del Novecento. A journey into the history of the city, former capital of the Roman Empire, proud medieval municipality and one of the most splendid lordships with the Viscontis and the Sforzas. This route does not lack the most representative places of Milanese life today, such as the Central Station, the Gallery, the Navigli and the skyscrapers that have redesigned the skyline in recent decades.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.