'The Marvels' is Actually One of the Best Marvel Movies, No Matter What the Critical Majority Says
This may be controversial… but 'The Marvels' is actually one of the best movies in the MCU. 10 reasons why 'The Marvels' killed it.

In an alternate Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. Merra, leader of the Wu-Ronz tribe of Bukuro, joins forces with heavy-hitting gangster Buppa of Buppa Town. With Buppa's support, Merra aims to initiate a gang war between the Wu-Ronz and the Musashino Saru, and in a confrontation between the two attempts to kill Kai of the Musashino Saru. The inadvertent murder of Kai's friend Tera (a Musashino Saru member beloved by all Tribes since before their formation) leads to the joining of forces between all of the Tribes in an all-out war against Merra and Buppa.
This may be controversial… but 'The Marvels' is actually one of the best movies in the MCU. 10 reasons why 'The Marvels' killed it.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
The Rocky Horror Picture Show not only supported Tim curry queer individuals who were closeted or harassed. It made people question their identity, orientation, and lifestyles that they never had before.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.