Rei Iwatsuki moved from her hometown Kōchi to Tokyo to pursue her dreams. On arrival, she found a job as a waitress in a restaurant and met guitarist Ryuuji Shintani. Ryuuji liked her voice and invited her to join his band as the vocalist, The Survival Company (also known as Sabakan). The two started a relationship but then broke off when Rei wanted to write her own songs. Rei met other girls also working in the restaurant, Hirono, Ryoko and Maki, all in pursuit of their own dreams, and became good friends with all of them. One day, Rei receives news that Takashi was seen in New York and she decides to go look for him...
Kozo Nagayama
Director
Ai Otsuka
Iwatsuki Rei
Eita Nagayama
Ryuuji Shintani
Rio Matsumoto
Hirono Hayama
Masanobu Katsumura
Kazuo Sasakawa
Yoko Maki
Ryoko Fujiki
Mao Kobayashi
Maki Abiko
Ryuta Sato
Kenichi Satomi
Yuta Hiraoka
Hidetoshi Tanaka
Kuranosuke Sasaki
Kohashi
Kazuki Kitamura
Keitaro Sasakawa
Shunta Nakamura
Mitsuo Nagase
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.