Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

Not a lot of people know that one of the most talented and ruthless Mahjong players in the city is a young high school boy. Kei is a teenager of few words, but his observation skills, unwavering will and experience in the game allows him to survive in a world full of powerful, rich and dangerous characters.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
For those tranquil houses with white fences, what is happening behind every closed door?
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
Of all the many great people that have contributed to Hip-Hop and radio, I was fortunate enough to speak with James Rosseau, founder of The Corelink Solution, a nonprofit that owns and operates Holy Culture Radio.