In Brétema, on the Atlantic coast, there was a time when networks of smuggling, drug trafficking converted, achieved so much influence that they were close to control everything: social power, institutions, the lives of its people. Fins, Leda and Frink explore the coast in search of what the sea throws after a wreck, the sea is for them a place of continual discovery. The fate of these young people will be marked by the shadow odious and fascinating at the same time the ubiquitous Marshall, owner of almost everything in Brétema.
An episode of "The Sopranos" articulates an identity crisis unique to the Italian-Americans and demonstrates how Indigenous communities are pushed aside in the ensuing debate.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
