"Backrooms" Succeeds
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

This cartoon is about the sad fate of a little boy who has neither a mother nor a father, only a grandfather. He used to live with his grandfather in the countryside, but when things got really bad, his grandfather sent him to work in the house of a wealthy Moscow man. However, the masters didn't care that he was still very young, and they put him to work that was too much for him, and they didn't let him eat, and they scolded and beat him. He was often sent to buy vodka, where he would see the city life, the different people, the big houses, the beautiful horses, and the indifference and cruelty of the people. One day, unable to bear the hardships of his life, he wrote a letter to his grandfather, asking him to take him away before he died, and on the envelope he wrote, "To the village, to my grandfather."
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.