Gemini Man Review: A Poor Utilization of a Promising Cast
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.

The first Russian documentary film about the phenomenon of street music. This story is about how artists with different social status, education, views of the world were united, once the decision was made - to go out and turn it into a stage. Underground passages, subway cars, avenues, parks and squares are their battlefields for the indifference of passers-by; the opportunity to do what you burn from; to be heard; a sense of freedom and independence; searching for your audience; a step on the way to the stadiums; not uncommon and just a way not to die of hunger.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.