
China, Jiangsu province, the present day. On 15 October, after depositing the funerary urn of his father, Professor Gu Daqing (Feng Dalu), who died of a sudden heart attack, Gu Jie (Calvin Yu) receives a phone call from a stranger telling him the urn has just been stolen and to "remember the 19th." After his car is hit by a lorry, Gu Jie wakes up on the 16th on the seashore of an island, where he finds a kidnapped girl tied up nearby. The girl's father, Jia Kuan (Li Hongquan), arrives and tells him to leave the island. In his pocket, Gu Jie finds a key to Room 327 of Shun Lai Hotel. After meeting a girl, Nana (Nancy Liu), who has a heart condition and whom his father once treated, Gu Jie goes to the decrepit hotel and checks into the room, where he finds an animal head in the bed and an old photo of a boy. "Welcome to the game," says the mysterious phone caller.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
This is a film that is going to leave some people bored, and some people thrilled.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.