Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

When eight-year-old Tistou is sent home from school after being unable to stop falling asleep at lessons, his father decides that he will continue his education by learning from observation of real life, and where better to start than in the garden! With the gardener Mr. Moustache, Tistou discovers he has a remarkable gift—the green thumbs: everything he touches grows into beautiful plants. His next lesson is with the stern Mr. Turnbull, manager of his father's armament factory who takes Tistou to visit the town to learn about "order." Over the course of the next few days Tistou learns many new things as he visits the town prison, the slums, and the hospital, and everywhere he tries to change the world into a better place with his new extraordinary power. Finally, he learns about war, and upon visiting his father's factory, he finds out that they supply the two countries at war with their weapons...
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
The initial reaction and review of Netflix's newly released romantic comedy featuring Haley Lu Richardson and Ben Hardy. Spoilers included!
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
This Disney Pixar movie is based on the elements air, fire, water, and earth.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.