Hitchcock's Subtextual Coding in 'Rope'
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

In the film series finale, Lily finds herself near financial ruin because of the debts left behind by her father, all while battling a newly diagnosed cancer. Too proud to seek solace from anyone around her, Lily sets off a chain of self-destructive events that lead to her estrangement from best friends Lin Xiao, Nan Xiang, and Ruby.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.