Footage of Tina Turner's amazing three-night stint at the Amsterdam Arena in September, 1996, where she performed all her biggest hits in a spectacular visual production.
David Mallet
Director
Tina Turner
Self
Jack Bruno
Self - Musician (Drums)
Timmy Cappello
Self - Musician (Saxophone, Percussion, Keyboards)
Cynthia Davila
Self - Dancer / Singer
Bob Feit
Self - Musician (Bass Guitar)
Ollie Marland
Self - Musician (Keyboards)
Kenny Moore
Self - Musician (Piano)
Karen Owens
Self - Dancer / Singer
Sharon Owens
Self - Dancer / Singer
James Ralston
Self - Musician (Guitar)
John Miles
Self - Musician (Guitar, Harmonica)
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
The Olivia Wilde renaissance is upon us.