'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

The temporality of the real unbinding of the poverty-rabble follows a logic of eternity because at no time can the poor rabble re-enter legal and statist contexts if the possibility of accumulating property has also been lost. Its time is eternity because only the poverty-rabble presents the paradigm of absolute and complete unbinding.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
For those tranquil houses with white fences, what is happening behind every closed door?
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.