Reluctantly, Rüdiger and Marlene agree to a blind date and, to their surprise, they hit it off straight away. The happiness of the newly in love couple has just one flaw: in order not to scare their partner away, they conceal the fact that they have children. A crazy game of hide-and-seek begins, which really gets on the nerves of their two children, Stella and Max. Stella and Max meet by chance and decide to end their parents' chaotic relationship with an intrigue. But when it turns out that Marlene is pregnant, the kids have to take their parents' fate into their own hands again.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
Adam Sandler goes hard as an NBA scout in this male-heavy sports-drama.
