Could ‘Wakanda Forever’ Be Nominated For Best Picture?
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.

# Ti Amo Sweetheart 100 Days A story of patience and love of a wife named Malissa who is full of trials when her husband Iskandar disappears without a word. Malissa is abandoned by her husband Iskandar after one year of their marriage. Dina, Malissa's precious daughter, is taken away by Iskandar. Malissa goes to Rome after receiving information that her husband is there. With the help of Faliq, Malissa begins to search for Isaac Iskandar. For an explanation, Malissa is determined to go to Italy to meet Iskandar face to face. An incident at Iskandar's apartment reunites Malissa and Dina. Not wanting Dina to be sad from being separated from Malissa again, Iskandar makes an offer. Malissa becomes Dina's babysitter until her services are no longer needed. When the truth is revealed, Iskandar tries to win back Malissa's love and trust, however, it is difficult for Malissa to give Iskandar a second chance. Her heart is completely shattered! Once again Iskandar makes an offer to Malissa.
Being made after the death of Chadwick Boseman will be a hard but exciting ride for this Marvel entry.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Given a choice between a man and a mountain, it’s safer to choose the mountain.