Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.

Mrs. Mulligan, although in poor circumstances, taken the child of her neighbor, who has just passed into another world, to live with her. Dolly becomes quite chummy with Tom, one of Mrs. Mulligan's sons, and during the child's saddest hours Tom comforts her. Tom proposes that Dotty write a letter to her mother in heaven asking her to come back.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
Cassie, a musician, and Luke, a man serving in the Marines, form a false relationship and keep it a secret.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.